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“Rectify” (SundanceTV) The story of a death-row parolee and his family takes its spiritual power not from preaching Christianity but from grappling with its ideals: forgiveness, penance, grace. “Master,” starring an appealing Aziz Ansari and created in part by him, benefited from this new openness and paid it forward, with a frankness about identity and a curiosity about other walks of life - all packaged in a hilarious, fresh millennial rom-com. “Master of None” (Netflix) 2015 was a year that TV opened the books to a wide variety of ethnic experiences and casting choices (see also “Fresh Off the Boat” and “Quantico”). This year, true crime surpassed “True Detective.” Jarecki’s storytelling was haunting, dogged yet empathetic. The twists were gobsmacking - the incriminating “BEVERLEY” note, a seeming hot-mike confession in the closing seconds - and Mr. Durst, the cold-eyed, batty millionaire arrested on murder charges on the weekend of this docu-series’ finale. “The Jinx” (HBO) Reality gave the director Andrew Jarecki an antagonist for the ages in Robert A. ( Read a review | Purchase on Amazon and iTunes)
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The show smartly took the reins away from the antihero played by Lee Pace and gave them to Kerry Bishé and Mackenzie Davis, who were transfixing as early online-service pioneers who cracked open the beige box to find our connected future.
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In its much superior sophomore year, the series evolved from an I.B.M.-clone “Mad Men” to an origin story of the social Internet. “Halt and Catch Fire” (AMC) The 2014 debut season of this 1980s computer-business drama turned out to be mere beta testing.
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Impeccably cast and written, full of heart but sharply satirical, “black-ish” revived the idea of the engaged network comedy. He ended up with an essential series for a moment when racial history keeps repeating itself.
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With those caveats out of the way, here are the shows I considered the 50 best of the 2010s.“black-ish” (ABC) Kenya Barris created a sitcom about an African-American father worried his kids were forgetting their racial history. It also largely foregoes miniseries, even great ones like Show Me a Hero or Chernobyl, favoring instead the idea of television as an ongoing experience over years. (Apologies to all who want to make like Joan in the SDCP elevator now.) Otherwise, this list leans heavily toward scripted series and narrative fiction - and often towards series that deftly balanced comedy and drama - with a sprinkling of sketch comedy and children’s programs. So Breaking Bad qualified for both, while Mad Men qualified for the first rule - and would have made the top 10 just based on its 2010s seasons - but not the second. Here, we decided on only two: 1) The majority of episodes had to have aired in this decade and 2) No more than two seasons can have aired prior to 2010. The last time I ranked this many shows, there were a lot of rules involved.
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The rush for cable networks to follow HBO, FX, and AMC into the prestige-drama business, plus the arrival of Netflix and the Streaming Wars, means there’s exponentially more programming to consider. Should they be eligible? If so, do we factor in their entire runs, or only the episodes that aired this decade? Mostly, though, it’s just about how much television we’ve gotten over a period that’s come to be known as Peak TV. Some of that is the fact that several inner-circle TV Hall of Famers began in the 2000s and continued into the 2010s. Identifying the best series of the 2010s isn’t nearly as simple. (Say, Taxi, Barney Miller, The Jeffersons, and Laverne & Shirley?) At the end of the 1970s, for instance, you could easily assemble a sterling top 10 featuring Roots, the four sitcoms that aired together in CBS’ legendary 1973 Saturday night lineup ( All in the Family, M*A*S*H, The Mary Tyler Moore Show, and The Bob Newhart Show), and a handful of the Seventies’ other great sitcoms.
Ranking the best television shows of any decade is a complicated task, but some decades are easier than others.